Caçadores de comunistas

Sylvia Colombo

Os crimes da ditadura argentina (1976-1983) têm recebido ampla atenção do governo e da sociedade. Porém, a violência que existia no país no período pré-golpe ainda é uma espécie de tabu.

É conhecida a ação da Triple A, a famosa Aliança Anticomunista Argentina, uma força parapolicial de extrema direita que perseguia militantes esquerdistas entre 1972 e 1975, ou seja, durante os governos peronistas. Porém, as responsabilidades estão diluídas. Há quem diga que sua atividade começou durante o governo de Juan Domingo Perón e com anuência deste, outros que alegam que quem mandava era apenas seu ministro de Bem Estar Social, o sinistro José Lopez Rega. E que Perón não sabia de nada.

O filme “Parapolicial Negro”, de Javier Diment, em cartaz em Buenos Aires, desfaz alguns mitos sobre as atividades do grupo e aporta muita informação sobre o modo como atuava, tendo sido responsável por mais de 1.500 mortes, segundo estimativas. Um dos crimes mais famosos é o assassinato do Padre Mugica, herói dos religiosos revolucionários do Terceiro Mundo.

O documentário é construído a partir de relatos de sobreviventes e explicações de jornalistas e historiadores. O mais impressionante é o de Ana María Gil Calvo, viúva do braço-direito de López Rega, Eduardo Almirón. Ingênuo e aparentemente sincero, seu depoimento enaltece o marido e o romance de ambos, mas deixa entrever a cruel brutalidade de sua personalidade. Almirón, ao lado de Juan Ramón Morales, é responsável por inúmeras torturas e mortes. Gil Calvo, como se estivesse falando de um príncipe encantado, conta como foi seu casamento, com López Rega de padrinho e o Estado pagando a festa, e se diz católica e contra a violência. Mas não deixa de soltar, aqui e ali, que sabia, pelo menos de um modo geral, a que o marido se dedicava.

Também são ouvidas vítimas, que contam os bastidores das torturas e dão detalhes do tratamento recebido, além de sindicalistas, que mencionam o vínculo desses representantes dos trabalhadores com a repressão. O contexto histórico, extremamente desfavorável a Perón, é explicado com clareza e sem aparente orientação ideológica.

Além do filme, Diment e equipe elaboraram uma página web (www.parapolicialnegro.com.ar) em que estão colocando todas as entrevistas na íntegra, o que poderá ser bastante útil para historiadores do período.

 

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For anyone with a passing interest in the fashion industry, it’s worth a read for the name dropping alone.As became clear in the film, which chronicled the magazine’s staff as they put together the 4 pound September 2007 issue, Coddington is not the Anna Wintour or Diana Vreeland type. You won’t hear her barking orders at assistants or making dramatic pronouncements about pink.But she is equally passionate, a wild haired dreamer who thinks that fashion should be transporting, provocative and even intellectual, who bemoans the dominance of celebrities and digital hocus pocus in fashion photography and who isn’t afraid to take on Wintour.The book is a window into how fashion has changed from a small, niche business into a global pop culture medium. 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